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Everything that was recorded in the sixties and for most of the seventies(yeah, I'm an old fart) was recorded through tubed gear. That's why most of the music from that period sounds so warm and has such a nice midrange. Solid state reared its head in the early seventies but most producers stuck with tubes. Then along came digital and everyone switched to solid state. Now some of the better recordings and remasters are being done with tubed gear once again and are done with less compression. Compression is really the cause of the crappy distorted sound that is so prevalent nowadays. Let's see how loud we can make it no matter how bad it sounds kind of thing. Listen to Steely Dan's Aja and Gaucho or Donald Fagen's The Nightfly if you want to hear wonderful sounding uncompressed recordings. Anything by Larry Carlton sounds great. I realize most of you guys probably don't like smooth jazz or Steely Dan,I hope I'm wrong 'cause some of its really good, but that's where you'll find really great sounding recordings. I love the sound of tubes but also prefer the convenience of solid state amps, tubed amps can be a pain to maintain. I run solid state amps in my home two channel rig with a tubed line stage buffer for the digital end and a tubed phono stage with my turntable. Best of both worlds and they sound pretty darn good to boot. I get the speed and punch of solid state and the warmth and fluidity of tubes all in one package.
Enjoy, Sam